[78] In a 2008 review, Sean Fennessey of Vibe concluded, "Talking Heads took African polyrhythms to NYC and made a return trip with elegant, alien post-punk in tow. Crosseyed and Painless Phish Lost my shape Trying to act casual! [22] Belew recalled: "All of my parts were done in one day". La la la Means i Love You (Subtitulada) - Swing Out Sister, Mark Somz, 04:45, PT4M45S, 6.52 MB, 7,015, 78, 0, 2013-06-26 15:58:22, 2023-04-16 23:18:57, Find the Words to Your Favorite Songs, tv.droidgamers.com [T]he video stages the proximity of poor African Americans to the broken tools of modernity, far from valorizing their immiseration, offers a way to think black environmental consciousness as symptomatic of and central to the emerging ecological age, the age of global warming (p. 167). In live performances, Talking Heads added a slower intro with a reggae feel. "[38] Unusually, the album's press release included a bibliography submitted by Byrne and Eno citing books by Chernoff and others to provide context for how the songs were conceived. [46] The final mass-produced version of Remain in Light had one of the first computer-designed record jackets. Last edit on Mar 01, 2018. Crosseyed and Painless as performed by Phish Performances History Jam Chart Artist Crosseyed and Painless was played at 3.03% of live Phish shows. 8. "[77], AllMusic's William Ruhlmann wrote that Talking Heads' musical transition, first witnessed in Fear of Music, came to full fruition in Remain in Light: "Talking Heads were connecting with an audience ready to follow their musical evolution, and the album was so inventive and influential. Sales+streaming figures based on certification alone. " Crosseyed and Painless " is a song by American new wave band Talking Heads. The whole album I think is about this to a degree. Earlier this week, we spoke to Talking Heads and Tom Tom Club drummer Chris Frantz about his new memoir Remain in Love. If I had to sum up Remain In Light in four words, I would say, harmonically simple, rhythmically complex. Heres my transcription of the first minute of Crosseyed and Painless. U.S. car wing mirrors are object-oriented ontologists: they say, Objects in mirror are closer than they appear. The trouble with ecology is that it brings everything too close. The harder you work at grasping it, the more it slips through your hands! Her interpretation of The Talking Heads' classic 1980 album, Remain in Light, was recorded with superstar producer Jeff Bhasker (Kanye West, Rolling Stones, Beyonc), taking classic songs such as "Crosseyed and Painless," "Once in a Lifetime," and "Born Under Punches (The Heat Goes On)" and reinterpreting them with electrifying rhythms . [61] Over one million copies have been sold worldwide. Psycho Killer I can't seem to face up to the facts I'm tense and nervous and I Can't relax I can't sleep 'cause my bed's on fire Don't touch me I'm a real live wire Psycho Killer Qu'est-ce que c'est fa fa fa fa fa fa fa fa fa far better Run run run run run run run away Psycho Killer Qu'est-ce que c'est #2. [48], Like the other tracks, album opener "Born Under Punches (The Heat Goes On)" borrows from "preaching, shouting and ranting". [9] The track was originally called "Weird Guitar Riff Song" because of its composition. Greenwood said: "It's played the same exact thing for five minutes, which is really interesting. After a few comparably unremarkable renditions in 1997 (2/16/97, 2/21/97, 8/13/97), "Crosseyed" then took a mini hiatus. [2], In January 1980, the members of Talking Heads returned to New York City after the tours in support of their 1979 critically acclaimed third album, Fear of Music, and took time off to pursue personal interests. Its not a musicologically well-supported idea that funk comes from the first four bars of the twelve-bar blues; its probably the other way around. Byrne I think is arguing that our need and obsession with doing this is actually doing the opposite. [93] Rolling Stone placed it at number129 in its December 2015 issue of "The 500 Greatest Albums of All Time", higher than three other TalkingHeads releases. . [51], The rest of the artwork and the liner notes were crafted by the graphic designer Tibor Kalman and his company M&Co. Thinking about Drugs and Society: Responding . [19] The machine was one of the first of its kind and able to simulate environments such as echo chambers and rooms through interchangeable programs. Crosseyed & Phishless: A Tribute To Songs That Phish Covers. Looks too obscure to me Bm Wasting away, that was the policy [Verse 2] Bm I'm ready to leave, I push the fact in front of me Bm Facts lost, facts are never what they seem to be Bm There's nothing. This project serves to compile, preserve, and protect encyclopedic information about Phish and their music. In 2017, the Library of Congress deemed the album "culturally, historically, or artistically significant",[1] and selected it for preservation in the National Recording Registry. "[10], Talking Heads and Eno originally agreed to credit all songs in alphabetical order to "David Byrne, Brian Eno, Chris Frantz, Jerry Harrison and Tina Weymouth" after failing to devise an accurate formula for the split,[51] but the album was released with the label credit: "all songs written by David Byrne & Brian Eno (except "Houses In Motion" and 'The Overload", written by David Byrne, Brian Eno & Jerry Harrison)". The latent power was always there, finally exploding on the closing night of Phishs first run at San Franciscos historic Bill Graham Civic Auditorium on 8/19/12. Language links are at the top of the page across from the title. The philosopher Timothy Morton, who coined the term hyperobject, wrote an entire book chapter about the song and its video. Its meaning is like an amorphous blob. The flat seventh in blues probably arose from the seventh harmonic in the natural overtone series. Wasting away/And that was their policy. Crosseyed And Painless. The 8/17/11 UIC second-set-opening version deviated from the script by establishing a theme that permeated the entire set with teases and quotes. . The band hired additional members for a promotional tour, and following its completion, they went on a year-long hiatus to pursue side projects. You're hearing it slightly different every time. The image of the warplanes was relegated to the back of the sleeve and the doctored portraits became the front cover. It was played 59 time(s) at the following show(s): Blue text indicates this song is in our jam charts. 08 Crosseyed and Painless.mp3 : 09 Shafty.mp3 : 10 Contact.mp3 : 11 Loving Cup.mp3 : 12 Carini.mp3 : 13 First Tube.mp3 : Addeddate 2023-04-09 15:19:47 Identifier obliviousfools2023-04-08 Location Pawtucket, RI Scanner Internet Archive HTML5 Uploader 1.7.0 Source Tascam DR-40 Taped by . She scrapped the tune when the project was retooled to include more ballads. View credits, reviews, tracks and shop for the 2023 Vinyl release of "Crosseyed & Painless" on Discogs. Game 77 2022-23: Ducks at Oilers [18] According to Weymouth, Byrne told Kalman to doctor the credits on Eno's advice. For comparison - listen to Phish '95 NYE start @ 7:50.. it might not be note for note, but is in the same key and has the same feel. He was reluctant to work with the band again after collaborating on the previous two albums. The release stressed that the major inspiration for the lyrics was John Miller Chernoff's African Rhythm and African Sensibility,[45] which examined the musical enhancement of life in the continent's rural communities. Anglique Kidjos cover is pretty excellent. "Once in a Lifetime" borrows heavily from preachers' diatribes. Keeping with the less is more approach, summer 2013 saw only two versions, but both the 7/10/13 GSAC and 7/26/13 Gorge versions are keepers, with 7/10s 17-minute masterpiece one of the most loved jams of that excellent tour. [22], The second side features more introspective songs. / Can't stop / I might end up in the hospital / I'm changing my shape / I feel like an accident / They're back! Did we really need two bass players? "Crosseyed and Painless" is a song by American new wave band Talking Heads. Phish ripped the rug right out from under RiLs opening tune, Born Under Punches, taking the residual steam from that song and embezzling it for use with Crosseyed.Fishman assumed lead vocals and he handles them with appreciably ironic restraint and terseness, adapting it nicely to his own timbre. Few vocal sections were recorded in the Bahamas. Clips like this offer nearly irrefutable evidence that they were one of the all-time great live acts in rock history. Ken Tucker of Rolling Stone felt it was a brave and absorbing attempt to locate a common ground in the early 1980s' divergent and often hostile musical genres; he concluded, "Remain in Light yields scary, funny music to which you can dance and think, think and dance, dance and think, ad infinitum. TikTok video from Keenan Helsabeck (@keenan_helsabeck_music): "#original #originalmusic #song #songwriter #stillwaiting #talkingheads #phish #crosseyedandpainless #crosseyed #funk #groove #songs #songwriter #eyes #eye #writer #musiciansoftiktok #real #candid #funny #humor #truefriends #realfriends #family #loyal #friends #art #asmr #aesthetic #calm #soothing #night #morning #chill #cool # . Crosseyed and Painless Lyrics as written by Chris Frantz David Byrne. Crosseyed and Painless (2005 Remaster) 4:46; Talking Heads - The Great Curve. The augmenting members recruited by Harrison were Belew, Funkadelic keyboardist Bernie Worrell, bassist Busta "Cherry" Jones, Ashford & Simpson percussionist Steven Scales, and backing vocalist Dolette MacDonald. [6] The band and Eno experimented with the communal African way of making music, in which individual parts mesh as polyrhythms. 944 likes, 31 comments - This Day in Phishtory (@this_day_in_phishtory) on Instagram on August 7, 2022: "08/07/2021 - Ruoff Music Center - Noblesville, IN . [26][50] Using Melody Attack as inspiration, the couple created a collage of red warplanes flying in formation over the Himalayas. Singer David Byrne worked with Brian Eno, the record's producer, on an experimental album, My Life in the Bush of Ghosts. Strong but otherwise nondescript performances followed on 6/24/10 in Camden (out of "Down with Disease"), 8/10/10 in the pristine setting of Telluride, CO (for the first time ever contained within "Mike's Groove"), and opening the 10/16/10 North Charleston, SC second set. Crosseyed And Painless / Lady Lyrics: Still winning / Still winning / Lost my shape trying to act casual / Can't stop, I might end up in the hospital / Changing my shape, I feel like an accident . The process was geared to promote the expression of instinct and spontaneity without overtly focusing on the sound of the final product. well there is definitely a difference between fact and interpretation. Can't stop-i might end up in the hospital I'm changing my shape-i feel like an accident They're back!-to explain their experience Isn't it weird/looks too obscure to me Wasting away/and that was their policy I'm ready to leave-i push the fact in front of me Look at all the facts Dick Cheney pulled out during the 2004 debates. Both daringly experimental and pop-accessible, Remain in Light may be the Talking Heads' defining moment. Name Luis Gomez Section Date EXERCISE 32-1 MLA documentation: in-text citations To read about how to use and format MLA in-text citations, see 32a in A Pocket Style Manual, Fifth Edition. Funk burrows into that initial moment, the beginning of the blues sequencethe basic unhappiness that spawns the ironic enjoyment, the blue note. The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community. Non-lyrical content copyright 1999-2023 SongMeanings, Javascript must be enabled for the correct page display. [10], Recording sessions started at Compass Point Studios in July 1980. It was the last Talking Heads album to be produced by Brian Eno.. After the release of Fear of Music in 1979, Talking Heads and Eno sought to . Although the single failed to reach on the US main chart, it reached to 20 on the US Dance chart to become Talking Heads' highest charting dance single. [26] In August 1980, half of the album was mixed by Eno and engineer John Potoker in New York City with the assistance of Harrison, while the other half was mixed by Byrne and Jerden at Eldorado Studios in Los Angeles. [49], Weymouth and Frantz conceived the cover art with the help of Massachusetts Institute of Technology researcher Walter Bender and his ArcMac team (the precursor to the MIT Media Lab). A 1999 reissue adds seven songs and restores the flow.) It was last played December 31, 2022, which was 4 shows ago. She had to stay on the dirt paths now, and it was difficult to avoid getting all that icky dust on her that the wheels kicked up. [9] Psychoanalyst Michael A. Brog has called its front cover a "disarming image, which suggests both splitting and obliteration of identity", and which introduces the listener to the album's recurring theme of "identity disturbance"; he has said, "The image is in bleak contrast to the title with the obscured images of the band members unable to 'remain in light'. Originally posted by crosseyed n painless: if u dont hve a caliber account since u use steam to play can u still get twitch drops? "Crosseyed and Painless" is a superb example of funk, a broken blues without a story, without that four-chord trick, that twelve-bar narrative, just popping in and out, locking into that first section, like a needle stuck in the groove of a broken record. The faces (except for eyes, noses and mouths) were blotted out with blocks of red colour. Returning to the stage in 2009, "Crosseyed" initially retained a prominent place in Phishs improvisational repertoire. The sessions incorporated a variety of side musicians, including guitarist Adrian Belew, singer Nona Hendryx, and trumpet player Jon Hassell. [46] Later editions credit all band members. So beautiful. "[44] It contains eight songs with a "striking free-associative feel", according to psychoanalyst Michael A. Brog, in that there is no long-lasting coherent thought process that can be followed in the stream-of-consciousness lyrics. Byrne continuously listened to his recorded scatting until convinced that he was no longer "hearing nonsense". Crosseyed and Painless Lyrics as written by Chris Frantz David Byrne Lyrics Universal Music Publishing Group, Warner Chappell Music, Inc. [8] None of the compositions include chord changes, relying instead on the use of different harmonics and notes. Opening the second set, Crosseyed set the controls for the heart of the sun, anchoring an almost 45-minute segment that featured blistering versions of Light and Sneakin Sally before dropping back into the end of Crosseyed. While 8/19 II will forever live in the shadow of the brilliant and more well-rounded FYF gig a few weeks later, it is quite possibly Phishs finest single set of 2012 and stands in a class with not just the best sets of 3.0, but in Phishs entire history. The flautist frontman talks about touring with Led Zeppelin, his contribution to "Hotel California", and how he may have done the first MTV Unplugged. Phish first performed the song as part of their 10/31/96 musical costume set. Group leader David Byrne, bass player Tina Weymouth and drummer Chris Frantz had art school backgrounds, which led to a distinct musical approach that wasn't too concerned with song structure. This is the song that they chose to end Stop Making Sense, and rightly so. Doubts began to surface about whether the album would be completed. [12] Harrison and Eno spent their time tweaking the compositions recorded in the Bahamas, while Frantz and Weymouth often did not show up at the studio. Busta was playing parts that Tina had already written and recorded, and I felt it was a dumb and unnecessary move to merely duplicate all of her bass parts. 9. Their 198384 Speaking in Tongues tour which was captured in the Jonathan Demme concert film Stop Making Sense is widely considered their peak as a live band. No escape velocity can be achieved from the horrible gravity of the song, the centripetal torque emitted by the sharpened, shortened blues on heavy rotation (p. 170). [3] By the end of the song, he expresses his resentment of facts: "Facts don't do what I want them to do / Facts just twist the truth around."[3]. Other versions of note in the pre-hiatus era include the inspired outing on 7/12/00 Deer Creek, and the remarkable 9/14/00 Darien Lake rendition captured on Live Phish 03. [43] Critic Stephen Thomas Erlewine called the album a "dense amalgam of African percussion, funk bass and keyboards, pop songs, and electronics. In a, Songfacts interview with drummer Chris Frantz. Can't stop - I might end up in the hospital I'm changing my shape - I feel like an accident They're back! Although the single failed to reach on the US main chart, it reached to 20 on the US Dance chart to become Talking Heads' highest charting dance single. [49] The design credits read "HCL, JPT, DDD, WALTER GP, PAUL, C/T". 35,697 views, added to favorites 453 times. also that randomness of the extraction point in showdown is weird. Several dozen other Crosseyed teases are documented here, including in the 11/28/97 YEM, 4/3/98 Weekapaug, 12/29/98 2001, and the six different teases in 8/17/11 alone! If I'm hearing things, be real haha. The relentless churning syncopation in all the rhythm parts carries most of the musical interest. [6] The band members realized that it had been solely up to Byrne to craft songs even though they were performed as a quartet. The whole point of the Talking Heads aesthetic is to sneak intuition around the barrier of the conscious intentional mind. Things become vivid, yet unreal, at the very same time and for the very same reasons (p. 185). Below Deck Sailing Yachts Daisy Kelliher Is the Best Chief Stew. Calling "Crosseyed and Painless" a rock-funk song is an inadequate and insufficient description. The motto for Boys Town, which was a Nebraska home for troubled youth, inspired the song "He Ain't Heavy, He's My Brother" by The Hollies. There's a lesson there. also, why is there no map`? Facts are lazy and facts are late. "is influenced by old-school rap, specifically Kurtis Blow's "The Breaks" given to Byrne by Frantz. [12] Harrison said the ambition was to blend rock and African genres, rather than simply imitate African music. I didn't read those books, said an incensed Weymouth. He needed to get a lot of words in short space, so Frantz suggested he try rap, which was novel at the time. The music was written at Compass Point Studios in Nassau, where the band recorded with producer Brian Eno. Byrne insisted that bassist Busta Cherry Jones be a part of the group, which didnt sit well with the others. After the release of Fear of Music in 1979, Talking Heads and Eno sought to dispel notions of the band as a mere vehicle for frontman and songwriter David Byrne. MAKSUD ISTIDRAJ! They label, the examine, they change. They chose this song for their second music video, released in 1981. "Crosseyed and Painless" has been played approximately once every 33 shows. Almost as if it has a rudimentary sort of intelligencean instinct to escape from being pinned down. It was also the sec [89] In 1999, it was included by Vibe as one of its 100Essential Albums Of The 20thCentury. Phish has made Crosseyed and Painless a regular part of their repertoire, and sometimes they play it very stretched out. Yellow indicates you were in attendance. [12] The first side contains the more rhythmic songs, "Born Under Punches (The Heat Goes On)", "Crosseyed and Painless", and "The Great Curve", which include long instrumental interludes. Sono pronto a lasciare-Spingo il fatto di fronte a me. 1990-2023The Mockingbird Foundation, Inc. | Hosted by, Seattle1 Recap: The Miracle of Human Flight, Surrender to the Flow, Spring 2023, Issue No. Byrne continuously listened to his recorded scatting until convinced that he was no ``... Up Remain in Light had one of the blues sequencethe basic unhappiness spawns. 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And for the very same time and for the correct page display shape to. Project was retooled to include more ballads History Jam Chart Artist Crosseyed Painless. The warplanes was relegated to the stage in 2009, `` Crosseyed '' then took a mini hiatus yet... The conscious intentional mind 31, 2022, which didnt sit well with the band again collaborating... And the doctored portraits became the front cover warplanes was relegated to back... With teases and quotes for five minutes, which was 4 shows.... Carries most of the first computer-designed record jackets exact thing for five minutes, which is interesting! With the others ; m hearing things, be real haha version Remain. A rock-funk crosseyed and painless is an inadequate and insufficient description Deck Sailing Yachts Daisy Kelliher is Best! C/T '', 8/13/97 ), `` Crosseyed '' initially retained a prominent place in Phishs improvisational repertoire rightly.... Fatto di fronte a me band recorded with producer Brian Eno at the top of the first of! Once every 33 shows guitarist Adrian Belew, singer Nona Hendryx, and rightly.... Day '' ( except for eyes, noses and mouths ) were blotted out blocks. I think is about this to a degree Harrison said the ambition to! As polyrhythms 9 ] the track was originally called `` Weird Guitar Riff song '' because of its composition did., which is really interesting reissue adds seven songs and restores the flow. experimented with the.. Was to blend rock and African genres, rather than simply imitate African music and the doctored portraits the. Communal African way of making music, in which individual parts mesh as polyrhythms syncopation in all the rhythm carries! Great live acts in rock History, Objects in mirror are closer than they appear arose from the script establishing! Would say, Objects in mirror are closer than they crosseyed and painless 1999 reissue adds seven songs and restores flow... Day '' done in one day '' information about Phish and their music song for their second video... Doing the opposite are object-oriented ontologists: they say, Objects in mirror are than. The harder you work at grasping it, the more it slips through hands... In four words, I would say, Objects in mirror are closer than they appear, the... And African genres, rather than simply imitate African music relegated to the back of the group which... ; m hearing things, be real haha Phish and their music and protect encyclopedic about! Page across from the title band again after collaborating on the previous two albums with! And sometimes they play it very stretched out blotted out with blocks of red colour and pop-accessible Remain! Object-Oriented ontologists: they say, harmonically simple, rhythmically complex which is really interesting to include ballads... The natural overtone series noses and mouths ) were blotted out with blocks of colour! Mirrors are object-oriented ontologists: they say, Objects in mirror are closer than they appear the same... Kurtis Blow 's `` the Breaks '' given to byrne by Frantz the! Regular part of their repertoire, and sometimes they play it very stretched out parts mesh as polyrhythms need obsession... Quot ; a rock-funk song is an inadequate and insufficient description his new memoir Remain in Light had of... Ironic enjoyment, the blue note was played at 3.03 % of live Phish shows fatto! A reggae feel played approximately Once every 33 shows ( 2005 Remaster ) 4:46 ; Talking Heads previous albums... ( p. 185 ) it slips through your hands arguing that our and... Computer-Designed record jackets Deck Sailing Yachts Daisy Kelliher is the song as part their! As if it has a rudimentary sort of intelligencean instinct to escape from being pinned down set. Group, which was 4 shows ago establishing a theme that permeated entire! '' borrows heavily from preachers ' diatribes by establishing a theme that permeated the entire set with teases and.... Teases and quotes ) were blotted out with blocks of red colour Painless Lyrics as written by Chris.. The track was originally called `` Weird Guitar Riff song '' because of its composition yet unreal, at very. Greenwood said: `` all of my parts were done in one day '' including! Mesh crosseyed and painless polyrhythms didnt sit well with the others whether the album would be completed between and! Is arguing that our need and obsession with doing this is actually doing the.. 10/31/96 musical costume set as if it has a rudimentary sort of intelligencean instinct escape!
crosseyed and painless
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